The novel also interrogates colonial Brazil’s legacy. São Vincius is a town steeped in superstition and religious hypocrisy, where indigenous and African spiritual traditions are dismissed as “witchcraft.” Camilla’s powers, which draw from these marginalized heritages, are both feared and coveted, a metaphor for the erasure of Brazil’s multicultural roots. Ribeiro’s prose is rich and lyrical, with a rhythm that feels almost incantatory. He employs a non-linear narrative, using fragmented chapters, diary entries, and letters to build a sense of mystery. The pacing is deliberate, allowing the dread to build until the climactic third act, where reality and delirium collide.